Chapter 0, Notation of Pitch and Rhythm 
Chapter 1, Scales 
Chapter 2, Intervals 
Chapter 3, Triads and Seventh Chords 

Chapter 4, Four-Part Harmony 
Chapter 5, Voice Leading 
Chapter 6, Harmonic Progression 
Chapter 7, Melodic Elaboration 
Chapter 8, Species Counterpoint 

Chapter 9, I and V 
Chapter 10, The Dominant Seventh Chord: V⁷ 
Chapter 11, I⁶ and V⁶ 

Chapter 24, Other Embellishing Chords 

Chapter 25, Applied Dominants of V 
Chapter 26, Other Applied Chords 
Chapter 27, Modulation to the Dominant Key 
Chapter 28, Modulation to Closely Related Keys 
Chapter 29, Modal Mixture 
Chapter 30, ♭II⁶: The Neapolitan Sixth 
Chapter 31, Augmented Sixth Chords 
Chapter 32, Other Chromatically Altered Chords 
Chapter 33, Chromatic Sequences 
Chapter 34, Chromatic Modulation 

Chapter 35, Sentences and Other Phrase Types 
Chapter 36, Periods and Other Phrases 
Chapter 37, Binary Form 
Chapter 38, Ternary and Rondo Forms 
Chapter 39, Sonata Form 

Chapter 40, Collections and Scales I: Diatonic and Pentatonic 
Chapter 41, Collections and Scales II: Octatonic, Hexatonic, and Whole-Tone 
Chapter 42, Triadic Post-Tonality 
Chapter 43, Intervals 
Chapter 44, Pitch-Class Sets: Trichords 
Chapter 45, Inversional Symmetry 
Chapter 46, Twelve-Tone Serialism 
Chapter 47, Form